The Australian National University
Demetrius
The AUSTRALIAN NATIONAL UNIVERSITY
 

Demetrius at The Australian National University >
E Press >
Signs of the Wali: Narratives at the Sacred Sites in Pamijahan, West Java >

Please use this identifier to cite or link to this item: http://hdl.handle.net/1885/46678

Title: The Babad Pamijahan: Sunda, Java and the Identity of the Pamijahanese
Authors: Christomy, Tommy
Keywords: Islam and culture
Muslim saints
Islamic shrines
Sundanese (Indonesian people)
Sundanese literature
Saints in literature
Issue Date: 2008
Publisher: ANU E Press
Series/Report no.: Islam in Southeast Asia
Abstract: The babad, or historical chronicle, is widely known as a genre of traditional Javanese literature. The genre came to Sunda in the 18th century through the Javanese administrators who occupied certain territories of Sunda. In Javanese, it is a narrative of past events telling, for example, about the founding of a new settlement or insurrection against an older power. The Javanese chronicle is a literary work written in a poetic metrical form which is intended to be sung. From the perspective of narrative, the babad to some extent is similar to the hikayat or sejarah in traditional Malay terms such as Sejarah Melayu. Like these texts, the babad was traditionally addressed through performance to real and present audiences. Structurally, the babad consists of genealogical and narrative elements. Writing about the very similar Balinese genre, Worsley (1972:4-5) observes that the author of a babad inserts various narratives into particular segments at critical points in the dynastic linkages. This mixture of genealogical and narrative components is especially dense in major babad.
Description: Chapter 4 of 'Signs of the Wali'
URI: http://hdl.handle.net/1885/46678
ISBN: 9781921313691
9781921313707
Appears in Collections:Signs of the Wali: Narratives at the Sacred Sites in Pamijahan, West Java

Files in This Item:

File Description SizeFormat
ch04.xmlChapter 480.19 kBXMLView/Open
fig05.jpgFigure 5. The zig-zag linear direction of the Babad Pamijahan narrative195.74 kBJPEGThumbnail
View/Open
fig06.jpgFigure 6. The paradigmatic schema in the Babad Pamijahan119.88 kBJPEGThumbnail
View/Open
fig07.jpgFigure 7. The genealogy of Abdul Muhyi through his mother's line from Raden Wiracandra, his mother’s father130.17 kBJPEGThumbnail
View/Open
fig08.jpgFigure 8. Shaykh Abdul Muhyi’s genealogy through his father’s line440.76 kBJPEGThumbnail
View/Open

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.

 

Valid XHTML 1.0! Repository Service Operated by Division of Information, The Australian National University
Powered by DSpace Software Copyright © 2002-2006 MIT and Hewlett-Packard - Feedback